人类学出版物: | 化石的冲击 | 考虑旧石器时代的辐形艺术样式 | Bilzingsleben史前图表和几何 | 早旧石器时代的金黄比率 |
出版物、影片工作和艺术性的节目 | 在上古的时期 | 更新世的联合 |
这页的图暂挂中。 数据被防止了出版物自2006年以来; 在打印。 |
"绝对卓著和惊人。 您独自显示出,这些原始人类认知和智力也许是命令完全地意想不到由惊人的我们大家... 你的是地标贡献,并且我最热忱地和恳切地祝贺您。" - Robert Bednarik, 会议椅子,世界更新纪Palaeoart (Pleistocene Palaeoart of the World) 重点增加了。 |
“考古学家将设法在书的每个把戏拒绝您的板刻的解释。 它对他们是完全地不能接受的他们是全错的关于这些人的认知能力…您有在您旁边的科学…提议完全地falsifiable。 大家可能重复您的实验,并且板刻在时间和空间被固定。 如果您的演算是正确的…考古学家将被绊倒。” - 显耀的国际当局2007年; 以后提出了5个月Bilzingsleben形象艺术& 金黄比率(强调是新的) |
关于数据镇压在科学
"科学一个中央教训是为了了解复杂问题(甚至简单那些),我们必须设法释放我们的教条的头脑,并且我们必须 保证自由出版,抗辩和试验。 从当局的论据是不能接受的。" - Carl Sagan - |
“这种类精采洞察不会作梦由更加常规的研究员。” - 出席Bilzingsleben的史前形象艺术神经科学作者2006年; 早期引文2007年 “Brilliant insights that scientists are often barred from, through the nature of their method.” - Quote of the same neuroscience author as above arriving a mere two days later, early 2007 “I find the data you presented in Lisbon of outstanding importance and believe that they must be published prominently.” - Renowned international authority, engineer, early 2007 |
“You show pretty unambiguously that those engravings [which are 400,000 years old] are in no sense archaic.” - International authority in the history of art and philosophy, 2006 |
Abstract: In 1988, Dietrich and Ursula Mania published images
of unmistakably deliberate engravings on bone artifacts dated between 320,000-412,000 years BP, found near the
Keywords: Cognitive Archaeology - Bilzingsleben - Bach - Linguistics - Cartography
“Utterly brilliant.” Here is the quote in context: “I have consulted various people… there is complete agreement that your innovative evaluation of the Bilzingsleben engravings is utterly brilliant.” - Collective conclusion of many scholars with backgrounds in linguistics, neuroscience, psychology, archaeology, and engineering, 2007, five months after presentation. Scholars had copy of 8-page thumbnails handout with all 112 slides. |
SECTION HEADINGS FOR THE GRAPHICS OF BILZINGSLEBEN (IN PRESS) SHOWING CONTEXT AND PLACEMENT OF THE FIGURES 1.) Introduction
2.) Presentation of Material 3.) Influences and Position in a Larger System 4.) Disclaimers and Nomenclature 5.) PART I: STRAIGHT EDGE THEORY: BEGINNING ACCESS TO A LOWER PALAEOLITHIC LANGUAGE a.) FIGURE 1: Artifacts 1-3
b.) FIGURE 2: Artifacts 3-6 c.) FIGURE 3: Proposed Early Straight Edge d.) FIGURE 4: Straight Edge Theory and the "Realm of Ideas" - Significance of Straight Edge Theory -
6.) PART II: THE EARLIEST MOTIF DUPLICATED ON TWO SEPARATE ARTIFACTS
a.) FIGURE 5: Duplication of size and angles in totally different
contexts
b.) FIGURE 6: Interpreting two-dimensional motifs in three dimensions c.) FIGURE 7: Final proofs of duplication via superimposition - Significance of the Earliest Motif Duplicated on Two Separate Artifacts -
7.) PART III: 350,000 YEARS BEFORE BACH: PITCH, RHYTHM, AND SYNTAX IN HOMO ERECTUS LANGUAGE a.) FIGURE 8: 350,000 years before Bach
- Significance of 350,000 Years before Bach -
8.) PART IV: TOWARD THE REALM OF IDEAS: RADIAL AND FRACTAL SYMMETRIES, INVISIBLE SHAPES
a.) FIGURE 9: Fractal angle symmetry
b.) FIGURE 10: Numbering system for the radial motif of Artifact 2 c.) FIGURE 11: Three-level self-similarity fractal characterized by parallels in thirds d.) FIGURE 12: The earliest completely abstract 2-dimensional shape e.) FIGURE 13: Proof of association between a complex graphic and an abstract point f.) FIGURE 14: Proof of association between an abstract point and infinity - Significance of Toward the Realm of Ideas -
9.) PART V: WHO WERE THE PEOPLE OF BILZINGSLEBEN? WHAT FIRE USE AND OTHER TRAITS SAY ABOUT OUR LOWER PALAEOLITHIC ANCESTORS a.) FIGURE 15: Putting a face on the Lower
Palaeolithic
- Significance of Who Were the People of Bilzingsleben?
10.) PART VI: TWO SKETCHES FROM BILZINGSLEBEN: WHEN A MAP IS A 3D FRACTAL
- Significance of When a Map is a 3D Fractal
11.) CONCLUDING THOUGHTS
12.) ACKNOWLEDGMENTS |
“Will take time to absorb. Looks remarkable.” - Internationally-renowned linguist and 50-year bestselling author “This is very exciting! I think the only thing you might have to fight is the erectus-heidelbergensis issue. But in comparison to what you have demonstrated here, that is not important at all.” - Physical anthropology expert and author attending The Graphics of Bilzingsleben, paraphrase of direct comment |
Feliks, J. 1998. The impact of
fossils on the development of visual representation. Rock Art Research 15: 109-34.
Feliks, J. 2006. Musings on the Palaeolithic fan motif. In P. Chenna Reddy (ed.), Exploring the mind of ancient man: Festschrift to Robert G. Bednarik, 249-66. Research India Press, New Delhi.
Feliks, J. 2008. Phi in the Acheulian: Lower Palaeolithic intuition and the natural origins of analogy. In Bednarik, R. G. and D. Hodgson (eds), Pleistocene palaeoart of the world, pp. 11-31. Proceedings of the XV UISPP World Congress (Lisbon, 4-9 September 2006), BAR International Series 1804, Oxford.
Feliks, J. 2009. A Lot of Gold in the Mix: Review of Fragment from a Nonfiction Reader. Pre-publication review of the debut science thriller by Warren Fahy (see quotation on the author's review page under FRAGMENT: Reviews).
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