Oriental Influence         

           English philosophers of the 18th century were disappointed with the state of civilization they saw around them.  On the tail end of the Baroque and Georgian ears, the artful eye began searching for new ways to express itself.  Rococo was the last phase of the Baroque period, where architecture in general became lighter in color and weight.  Most often, these architectural designs would reflect simple and natural forms.   By studying this phenomenon, it becomes obvious the role the Orient had in English style.

Chinoisery is defined as a style in art that reflects Chinese influence through its use of elaborate decoration and intricate patterns.  This style of expression first appeared on furniture and porcelain.  Common features are extensive gilding and lacquering, much use of blue-and-white, asymmetrical forms, disruptions of orthodox perspective, and Oriental figures and motifs. The style has certain lightness and asymmetry about it, yet its has a complimentary unpredictable motif.  This decoration became instantly popular in many aspects of English society.  This attention to detail can be seen in the following works.