Additional Toni Morrison Resources

A Complete List of Works

The Nobel Prize in Literature 1993 Presentation Speech
(as taken from The Nobel e-Museum)

Speech by Professor Sture Allén, Permanent Secretary of the Swedish Academy

Your Majesties, Your Royal Highnesses, Ladies and Gentlemen,

The Nobel Prize awarded by the Swedish Academy is, as we know, a literary prize. This year it has been granted to Toni Morrison, making her the ninetieth Nobel Laureate in Literature.

In her volume of essays, Playing in the Dark, Miss Morrison lucidly pictures the insights that she has gained, as an author and a reader in her native country: "It is as if I had been looking at a fishbowl - the glide and flick of the golden scales, the green tip, the bolt of white careening back from the gills; the castles at the bottom, surrounded by pebbles and tiny, intricate fronds of green; the barely disturbed water, the flecks of waste and food, the tranquil bubbles travelling to the surface - and suddenly I saw the bowl, the structure that transparently (and invisibly) permits the ordered life it contains to exist in the larger world." In other words, she regards the African presence in her country as a vital but unarticulated prerequisite for the fulfilment of the American dream. Similarly, she sees whiteness in literature as having blackness as its constant companion, the racial other as its shadow.

In her depictions of the world of the black people, in life as in legend, Toni Morrison has given the Afro-American people their history back, piece by piece. In this perspective, her work is uncommonly consonant. At the same time, it is richly variegated. The reader derives vast pleasure from her superb narrative technique, shifting from novel to novel and marked by original development, although it is related to Faulkner and to the Latin American tradition. Toni Morrison's novels invite the reader to partake at many levels, and at varying degrees of complexity. Still, the most enduring impression they leave is of empathy, compassion with one's fellow human beings.

Milkman Dead, the protagonist of Song of Solomon, reflects one of the basic themes of Miss Morrison's novels, in his quest for self. Milkman's paternal grandfather was a liberated slave. When he was registering his freedom, he responded to a question about his father with the word "Dead", thus acquiring his macabre surname from the drunken official who asked. His family was prepared to accept this name: "It was new and would wipe out the past. Wipe it all out." The Solomon whose name occurs in the title of the novel, Milkman's peculiar southern forefather, was to be found even in the song that went with children's games. The intensity of his inner life had carried him through the air back to the Africa of his origins. Solomon's rapture was ultimately Milkman's as well.

Motifs in space and time continue to be interwoven in Beloved. Paradoxically, the combination of realism and folklore enhances the novel's credibility. In the world which the female protagonist, Sethe, inhabits, one does not possess one's own body. There is tremendous power in Toni Morrison's description of Sethe's act of releasing her child, Beloved, from the destiny she imagines her facing, and of the consequences of this act for her own life, in which Beloved's double personifies the burden of Sethe's guilt.

In her latest novel, Jazz, Toni Morrison's approach is similar to the style in which jazz is performed. The opening lines of the novel state its theme, the lives of a number of people in Harlem in the 1920s. In the course of the novel we perceive a first-person narrator, varying, supplementing and intensifying the story. The final picture is a highly composite image of events, characters and atmospheres, mediated in sensual language with a deep inherent sense of musicality. Toni Morrison's way of addressing her reader has a compelling lustre, in a poetic direction.

When she was very young, her family's landlord set fire to the house in which they lived when her parents fell behind with the rent. And while they were in it. Her family reacted to this absurd form of crudeness, monumental crudeness, not with resignation but with laughter. This, says Toni Morrison, is how you can distance yourself from the act and take your life back. You take your integrity back.

In great minds, gravity and humour are close neighbours. This is reflected in everything Toni Morrison has written, and evidenced in her own summary: "My project rises from delight, not disappointment."

Toni Morrison's Banquet Speech
(as taken from The Nobel e-Museum)

Toni Morrison's speech at the Nobel Banquet, December 10, 1993

Your Majesties, Your Royal Highnesses, Ladies and Gentlemen,

I entered this hall pleasantly haunted by those who have entered it before me. That company of Laureates is both daunting and welcoming, for among its lists are names of persons whose work has made whole worlds available to me. The sweep and specificity of their art have sometimes broken my heart with the courage and clarity of its vision. The astonishing brilliance with which they practiced their craft has challenged and nurtured my own. My debt to them rivals the profound one I owe to the Swedish Academy for having selected me to join that distinguished alumnae.

Early in October an artist friend left a message which I kept on the answering service for weeks and played back every once in a while just to hear the trembling pleasure in her voice and the faith in her words. "My dear sister," she said, "the prize that is yours is also ours and could not have been placed in better hands." The spirit of her message with its earned optimism and sublime trust marks this day for me.

I will leave this hall, however, with a new and much more delightful haunting than the one I felt upon entering: that is the company of Laureates yet to come. Those who, even as I speak, are mining, sifting and polishing languages for illuminations none of us has dreamed of. But whether or not any one of them secures a place in this pantheon, the gathering of these writers is unmistakable and mounting. Their voices bespeak civilizations gone and yet to be; the precipice from which their imaginations gaze will rivet us; they do not blink nor turn away.

It is, therefore, mindful of the gifts of my predecessors, the blessing of my sisters, in joyful anticipation of writers to come that I accept the honour the Swedish Academy has done me, and ask you to share what is for me a moment of grace.

Morrison Links

Morrison's Nobel Lecture - a great story told in typical Morrison fashion
Nobel Prize in Literature 1993 Press Release

Back to Top
Back to Morrison