Issuing Her Own: The Female Tatler
Source Notes
1. M. M. Goldsmith, By a Society of Ladies: Essays in The Female Tatler (England: Thoemmes Press, 1999) 41-43.
2. Cover of The New Atlantis. From the ECE site Female Friendship
3. Clifford Siskin, "Eighteenth-Century Periodicals and the Romantic Rise of the Novel," Studies in the Novel 26 (Summer 1994): 26-39.
4. The Bookseller and the Author. By Thomas Rowlandson. 1780-84. From John Brewer, The Pleasures of the Imagination: English Culture in the Eighteenth Century (Chicago: University of Chicago Press, 1997) 155.
6. Susan Prescott, "Provincial Networks: Dissenting Connections, and Noble Friends: Elizabeth Singer Rowe and Female Authorship in Early Eighteenth-Century England," Eighteenth Century Life 25 (Winter 2001): 29.
7. Map of Pater Noster Row in London. Castle Baynard Ward. Circa 1750. From http://members.lycos.co.uk/bookhistory/
8. A Grub Street Poet. By Thomas Rowlandson. From Brewer 147.
9. Fidelis Morgan, ed. The Female Tatler (London: J. M. Dent & Sons, 1992) viii.
11. Richmond P. Bond, The Tatler: The Making of a Literary Journal (Cambridge, Mass: Harvard University Press, 1971) 1.
12. Samuel Richardson. By Mason Chamberlin. 1754 or before.
14. Alison Adburgham, Women in Print: Writing and Women's Magazines From the Restoration to the Accession of Victoria (London: George Allen and Unwin, 1972) 60.
17. An Illustration of Hall's Library, Margate. J. Hall and T. Malton. 1789. From http://muse.jhu.edu.journals
19. A Book Label from Wright's Circulating Library. From http://muse.jhu.edu.journals
20. Alvin Kernan, Printing Technology, Letters, and Samuel Johnson (Princeton, New Jersey: 1987) 152.
21 The Cries of London. London, Colnaghi. 1793-1798. By Francis Wheatley. From http://www.ursusbooks.com
26. Portrait of Sir Richard Steele. From http://classiclit.about.com
28. A Lady Seated at a Drawing Board. By Paul Sandby. 1760. From Brewer 105.
29. Patricia Meyer Spacks, ed. Selections from the Female Spectator, by Eliza Haywood (New York: Oxford University Press, 1999) xii.
31. Detail to Frontplates to Spectator Volume. 1740. From http://harvest.rutgers.edu
33. May 2002 issue of Condè Nast's Tatler. From http://www.tatler.co.uk
34. Queen Anne of England. From http://www.mdarchives.state.md.us/
40. Portrait of Alexander Pope. From http://www.bluepete.com
41. Characters Caricaturas. By William Hogarth. 1743. From http://www.library.northwestern.edu
42. Anna Clark, The Struggle for the Breeches: Gender and the Making of the British Working Class (Berkeley: University of California Press, 1995) 52.
43. The Lace Wearer, Rewarding the Lace Maker. Circa 1800. http://www.stormfinearts.com
44. Vauxhall Gardens. By Thomas Rowlandson. 1784. From http://www.wwnorton.com
45. Peter Linebaugh, The London Hanged: Crime and Civil Society in the Eighteenth Century (Cambridge: Cambridge University Press, 1992) 120-121.
46. Strolling Actresses Dressing in a Barn. By William Hogarth. From http://www.library.northwestern.edu
48. Catherine Gallagher, "Crimes and Alibis: Delarivier Manley," in Nobody's Story: the Vanishing Acts of Women Writers in the Marketplace 1670-1820 (Berkeley: University of California Press, 1994) 107.
49. A Young English Beauty. By Thomas Rowlandson. C. 1790. From http://www.nga.gov
50. Interior of Drury Lane Theater. By Thomas Rowlandson. From http://www.wwnorton.com
51. Engraved Ticket for a Benefit Performance. By William Hogarth. From http://www.costumes.org
53. A London Coffeehouse. From http://www.wwnorton.com
54. Formal Dress, 1775-1800. Drawing by Maria Macgregor. For the Friends of Fashion, Museum of London. http://www.washjeff.edu
55. Portrait of a Lady in Blue. By Thomas Gainsborough. 1777-79. From http://www.kfki.hu
56. Portrait of a Gentleman. C. 1726/1740. Andrew W. Mellon Collection. http://www.nga.gov
57. London Ladies Shopping for Fabric. From Rudolph Ackermann's Repository of the Arts. 1800. http://www.wwnorton.com
58. Shawn Lisa Maurer, Proposing Men: Dialectics of Gender and Class in the Eighteenth-Century English Periodical (Stanford: Stanford University Press, 1998) 33.
59. Courtship. 1810. From http://www.stormfinearts.com
60. Marriage à la Mode. Plate IV. By William Hogarth. 1745. http://www.library.northwestern.edu
61. Canto 3 from 1714 ed. of Pope's Rape of the Lock. Engraving by Claude Du Bosc after Louis Du Guernier. From http://www.web.uflib.ufl.edu
62. Family Group. By Francis Wheatley. 1775/1780. From http://www.nga.gov
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