“The Body at the Center: The Effects of the Atomic Bomb on Hiroshima and Nagasaki,” in Hibakusha Cinema: Hiroshima, Nagasaki and the Nuclear Image in Japanese Film, ed. Mick Broderick (London: KPI, 1996), 121-160. Reprinted in Japanese language as 「中心にあるカタマリ：『広島・長崎における原子爆弾の効果』」『被爆者シネマ』（東京：現代書館）pp. 111-144, 244-235. Download in Japanese or English
“The Typical Genius of Kamei Fumio,” in Kamei Fumio 1908-1987 (Yamagata: YIDFF, 2001): 43-51.Download in Japanese or English
“The Postwar Documentary Trace: Groping in the Dark,” in Open to the Public: Studies in Japan’s Recent Past, ed. Leslie Pincus, a special issue of Positions 10.1 (Spring 2002): 39-78. Translated into Spanish as: "El Rastro del Cine Documental Japonés de Posguerra: A Tientas en la Oscuridad," El Cine de los Mil Años: Una aproximación Histôrica y Estéticá al Cine Documental Japonés (1945-2005) (Pamplona: Punto de Vista, 2006), 56-88. Excerpted as “Ogawa Shinsuke’s Narita Stories,” in The 29th Hong Kong Film Festival catalog (2015), 245-247. Reprinted in The Documentary Film Reader: History, Theory, Criticism, ed. Jonathan Kahana (London: Oxford University Press, 2016). Download in English or Spanish
“Private Reality,” in Identity Replays: Realism and Cinema, ed. Ivonne Margulies (Duke University Press, 2003), 145-163.Download
“The Obtrusive and Bewildering Cinema of Hara Kazuo," in Camera Obtrusa: The Action Documentaries of Hara Kazuo (Berkeley: Kaya Press, 2009), xi-xvi. Download
「小川プロ、その運動としての映画における音楽性」翻訳：水野祥子『日本映画は生きている（７）』(東京：岩波書店), 1-34. Translated into German: “Zu Mimesis und musikalischem Element in Ogawa Shinsukes Dokumentarfilmen” [Mimesis and Musicality in the Documentary of Ogawa Shinsuke], Nachrichten (Hamburg) 181-182 (2007): 115-129. Download Japanese VersionDownload German Version
“The Crux,” response to special issue on Asia-Pacific Documentary, Concentric: Literary and Cultural Studies: Literary and Cultural Studies (Taipei) 39.1 (March 2013): 189-202.Download
“Eastwards,” The Documentary Film Book, ed. Brian Winston (London: BFI, 2013), 209-216. Download
“Marking the Body: The Axiographics of the Visible Hidden Camera,” in DV-Made China: Digital Subjects and Social Transformations, ed. Zhang Zhen and Angela Zito (Honolulu: University of Hawai’i Press, 2015), 29-56. Download
“Wages of Resistance and the Spiritual Problem of Sanrizuka,” Senses of Cinema 76 (September 2015). Read Online
